The Films in my Life.

http://www.imdb.com/title/tt0068972/

http://www.imdb.com/title/tt0078916/?ref_=fn_al_tt_1
Soundtrack by Goblin: http://www.discogs.com/Goblin-Buio-Omega-The-Complete-Original-Motion-Picture-Soundtrack/release/4228787

http://www.imdb.com/title/tt0078916/?ref_=fn_al_tt_1

Soundtrack by Goblin: http://www.discogs.com/Goblin-Buio-Omega-The-Complete-Original-Motion-Picture-Soundtrack/release/4228787

http://www.imdb.com/title/tt0082276/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0082276/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0028010/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0028010/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0023305/

http://www.imdb.com/title/tt0023305/

http://www.imdb.com/title/tt0110173/

http://www.imdb.com/title/tt0110173/

http://www.imdb.com/title/tt0350921/?ref_=fn_al_tt_1
“Something of a hybrid between Jean Cocteau and Jan Svankmajer in its gothic expressionism and artful grotesquerie crossed with the metric precision of Kurt Kren’s more clinical materialaktion films that experiment with the plasticity of surfaces (most notably, in the deformed figures that recall the disfiguration and self-mutilation of Kren’s short film, 10/65: Selbstverstümmelung), Bokanowski’s earliest film, La Femme qui se poudre (The Woman Who Powders Herself) is, as the title implies, an evocation of concealment and unmasking, where the mundane act of a Victorian-era woman’s ritualistic application of cosmetic powder seemingly opens the window - or perhaps, Pandora’s Box - into underlying human anxieties of physical beauty, youth, desirability, and objectification.”

http://www.imdb.com/title/tt0350921/?ref_=fn_al_tt_1

“Something of a hybrid between Jean Cocteau and Jan Svankmajer in its gothic expressionism and artful grotesquerie crossed with the metric precision of Kurt Kren’s more clinical materialaktion films that experiment with the plasticity of surfaces (most notably, in the deformed figures that recall the disfiguration and self-mutilation of Kren’s short film, 10/65: Selbstverstümmelung), Bokanowski’s earliest film, La Femme qui se poudre (The Woman Who Powders Herself) is, as the title implies, an evocation of concealment and unmasking, where the mundane act of a Victorian-era woman’s ritualistic application of cosmetic powder seemingly opens the window - or perhaps, Pandora’s Box - into underlying human anxieties of physical beauty, youth, desirability, and objectification.”

http://www.imdb.com/title/tt0303326/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0303326/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0057318/fullcredits?ref_=tt_cl_sm#cast

http://www.discogs.com/Riz-Ortolani-And-Nino-Oliviero-Mondo-Cane/release/1294345

http://www.imdb.com/title/tt0055830/

http://www.imdb.com/title/tt0055830/

http://www.imdb.com/title/tt0070289/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0022835/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0022835/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0390384/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0390384/?ref_=fn_al_tt_1

http://www.imdb.com/title/tt0073529/

http://www.imdb.com/title/tt0073529/

http://www.imdb.com/title/tt0067641/?ref_=fn_al_tt_1
http://www.youtube.com/watch?v=rQPRLMbbB3U

http://www.imdb.com/title/tt0067641/?ref_=fn_al_tt_1

http://www.youtube.com/watch?v=rQPRLMbbB3U